Ever since forming 16 years ago, Irish trio God Is An Astronaut

has reigned as one of the

premier instrumental groups. With its fusion of intense rock instrumentation, ethereal

and emotional soundscapes, awe

–

inspiring dynamics and transfixing melodies.

Each of their prior releases has offered a breath taking sonic j

ourney, and their ninth

emotive opus, Epitaph, is a record that both sees a progression in their sound while still

remaining true to their ethos that helped define the band. The cover artwork was

painted by French artist Fursy Teyssier and fits the melanch

olic mood beautifully. Joined

by long

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time drummer Lloyd Hanney, contributions also come from Xenon Field on

sound design and former member Jamie Dean on keys.

The opening title track ‘Epitaph’ sets the album`s mood. There is pain and loss at work

here,

but not pain and loss that are given in to. Sparse piano motifs face energetic

rhythms, shimmering guitar coatings, and eruptions of dense fury breathe life into a

journey of melancholic longing: there is the release experienced when a troubled

existence e

nds in ‘Mortal Coil‘ followed by the sombre foreshadowing that is ‘Winter

Dusk/Awakening‘.

The album changes direction slightly with ‘Seánce Room’ and the music on this highway

is taking you someplace meaningful and special

–

someplace where near and far

blur

and stars weep over tragedies.

‘Komorebi’ is a word from Japanese. Think of the interplay between light and leaves

when sunlight shines through trees.The song has a melancholic longing or nostalgia for a

person, place or thing that is far away from

you or about to slip away.

‘Medea’ references Greek mythology, and the enchantress who married Jason, leader of

the Argonauts, only to be later guilty of filicide, a crime so against the natural order of

things that you can imagine the stars in the sky

weeping. It is not easy to confront such

things, but this record and this band don’t shirk the challenge.

Finally, the beautiful and hypnotic piece of music that is the album

–

closing ‘Oisín’ is in

memory of Torsten and Niels‘ 7

–

year

–

old cousin who was tr

agically taken from this

world. It distills into four minutes all the pain, sadness and longing felt by many over a

much

–

longer timeframe. A fitting end to an album that will move you deeply and call out

to you to be revisited many times.